PRODUCT REVIEW
"THE WRITER'S HOLLYWOOD TOOLKIT"
- Screenwriter Magazine
The Writer's Hollywood Toolkit is an audio lecture by Jonathan Treisman, producer of PAY IT FORWARD that is meant to serve as an overview on the craft of screenwriting and how one should go about creating and selling their work to the marketplace. It is also about how to become a Hollywood producer based on Mr. Treisman's career.
The first part of the lecture focuses on Mr. Treisman's theory that the most important aspect of a saleable screenplay is a clear and effective hook, or logline. He uses examples of loglines from many popular films to demonstrate that great ideas can be in varying genres and can appeal to different groups of people, but that most great ideas can be pitched in a sentence or two. He describes the pitch meeting process and the expectations of the writer to sell their story in a 10-20 minute presentation. If an executive does not grasp the feel of the movie within the first few minutes of the pitch, the writer is in trouble and this is why a clear hook is so important.
Mr. Treisman then explains how he came to be a Hollywood producer and how he developed PAY IT FORWARD . He spent 4 years working in various departments at Walt Disney Pictures learning all different areas of the production and development process.
While at Disney, he teamed up with a colleague to produce a couple of short films. His second short, PUPPIES FOR SALE , featured Jack Lemmon and was well received on the festival circuit. He decided to become a full time producer when working on this project. He then met author Catherine Ryan Hyde and asked if she had any new work and she gave him the manuscript for PAY IT FORWARD , which he immediately optioned and sold to Warner Brothers. The film was made quickly with a stellar cast that included Kevin Spacey and Helen Hunt, and Mr. Treisman now has projects set up at several different studios. He looks for great material that is found off the beaten path.
In the final section of the workshop, Mr. Treisman reviews the basic questions that writers have: how to get an agent, how to write a query, option agreements, structure, and format. He does not give a thorough lesson on any of these topics but does a review of the essential details.
This audio workshop will not replace a general screenwriting text because there is not enough content on the essentials of the craft. The most interesting part of the workshop was hearing Mr. Treisman explain how he broke into the industry and became a producer. Overall, this workshop provides a brief overview of the craft and business of screenwriting and the interesting anecdotes gives writers a unique perspective on how scripts are bought and sold in Hollywood.
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